For too long, Gwen Verdon missed out on her share of the spotlight.

Much like “Twin Peaks,” “The OA” is a visual vortex that raises more questions than it answers.

Lindy West, the inspiration for the new Hulu series "Shrill," helped redefine the way we see and treat fat people. Can her ideas translate to television?

A new drama about the murder of Dee Dee Blanchard renders an abusive relationship with brutal clarity.

“The Other Two” portrays a micro-generation that’s too young for Gen X complacency and too old for YouTube fame.

Several major stories this week revealed deep truths about this political moment in America. None pertained to the TV actor.

The show’s new season lays bare the pretensions of beloved films.

In the new Netflix show, Natasha Lyonne plays a droll, chain-smoking New Yorker, caught in a Groundhog Day-esque loop.

A new Netflix documentary makes the case that the serial killer is a mirror for our darkest selves.

Three new makeover shows hover on the border of entertainment and economic survivalism.

As the groundbreaking show celebrates its 20th anniversary, prestige TV has never been more ubiquitous—or insipid. What happened?

Season three of the time-jumping, philosophically inclined series repeats season one's tricks, but gets a boost from its new leading man.

Two of the most flawed characters on television plan a wedding.

In its second season, critics have rightly pointed out the hit show’s weaknesses. So why is it still so watchable?

“1983” imagines a terrifying alternate reality, but ignores the real dangers that Poland faces today.

How Blair Foster’s documentary “The Clinton Affair” reassesses history in the wake of the MeToo movement

What lies beneath the sleek stylings of dystopian shows like "Homecoming"

The show’s focus on two captivating women makes its second season worth watching.

The show based on Shirley Jackson’s novel ultimately shies away from the book’s raw horror.

'Bodyguard' is an emotional rollercoaster of trauma and terror.