Rachel Syme

@rachsyme

The Hulu adaptation of Sally Rooney’s novel centers on two very connected, very guarded lovers.

The Netflix show’s third season is a wonder of restraint.

Bong Joon-ho’s shapeshifting new film is a thriller about global inequality and resentment.

The HBO show is a study in the corrosive nature of extreme wealth.

The HBO show’s second season feels bleaker and is harder on its characters.

Why the HBO show’s visions of chaos and order endure

In its pursuit of the zeitgeist, the Hulu show forgot about storytelling.

The creator of "Killing Eve" returns with a second (and final) season of "Fleabag," the series that made her an international star.

Can the show capture the daring—and the difficulties—of a lesbian businesswoman’s life in Victorian England?

For too long, Gwen Verdon missed out on her share of the spotlight.

Much like “Twin Peaks,” “The OA” is a visual vortex that raises more questions than it answers.

Can the artist’s things tell us what drove her?

“The Other Two” portrays a micro-generation that’s too young for Gen X complacency and too old for YouTube fame.

The show’s new season lays bare the pretensions of beloved films.

In the new Netflix show, Natasha Lyonne plays a droll, chain-smoking New Yorker, caught in a Groundhog Day-esque loop.

Two of the most flawed characters on television plan a wedding.

In its second season, critics have rightly pointed out the hit show’s weaknesses. So why is it still so watchable?

How Blair Foster’s documentary “The Clinton Affair” reassesses history in the wake of the MeToo movement

What lies beneath the sleek stylings of dystopian shows like "Homecoming"

The show’s focus on two captivating women makes its second season worth watching.