A beloved 'New York Times' column becomes a whole new kind of content.

The new Netflix movie sets Timothée Chalamet and Robert Pattinson on two gloriously, absurdly different paths.

Why the best show about power in the Trump era is not a show about politicians.

Ryan Murphy’s show about a super-elite high-school election could have made brilliant, cultish television.

Twenty-five years after the show first aired, its popularity remains as strong—and confounding—as ever.

The HBO show is a study in the corrosive nature of extreme wealth.

“On Becoming a God in Central Florida” brilliantly depicts an economy based on scams.

An Afghanistan veteran reckons with growing up on G.I. Joe and growing tired of American war drums.

The HBO show’s second season feels bleaker and is harder on its characters.

The new miniseries casts Roger Ailes and Fox News as all-powerful architects of political disaster. The truth is more complicated.

The new remake of a World War II epic falls victim to the conventions of prestige TV.

In an environment thick with conspiracy, we thrill to stories of truth versus evil. But at what cost?

Making sense of Donald Trump's petulant reign

Why the HBO show’s visions of chaos and order endure

In its pursuit of the zeitgeist, the Hulu show forgot about storytelling.

The new HBO series raises the specter of an uninhabitable continent.

The creator of "Killing Eve" returns with a second (and final) season of "Fleabag," the series that made her an international star.

Can the show capture the daring—and the difficulties—of a lesbian businesswoman’s life in Victorian England?

A TNR roundtable discusses “Winterfell,” the first episode in the final season of the HBO fantasy series.

He's petty, whiny, and contradictory. So why does he keep ruling the ratings night after night?