Jennifer Wilson

@JenLouiseWilson

In the Hulu show, everyone is struggling to get by in a hostile city.

A spate of documentaries produced by athletes and leagues are more interested in settling scores than in the game.

The Amazon Prime show starring Rachel Weisz is oddly suspicious of new technology in reproductive health.

Alice Diop’s courtroom drama is a story of aspiration and cruelty in a racist society.

The Netflix adaptation of Don DeLillo’s novel makes a thoroughly American spectacle of suffering.

Sarah Polley’s film rejects the demand the world makes of rape victims: that their stories be polished and flawless

Uncovering the resort where rich women sought the elusive right to divorce

“The Candy House” captures the strange online experience of never losing touch with anyone.

The author of “Crime and Punishment” had a love-hate relationship with the true-crime obsessions of his era.

Amia Srinivasan’s book “The Right to Sex” asks difficult questions about who is deemed attractive and who isn’t.

The characters in Sally Rooney’s “Beautiful World, Where Are You” want you to know they considered alternatives to capitalism.

Narrated by an interpreter for a war criminal at the Hague, Kitamura’s new novel weighs connection and disconnection.

According to Amanda Montell’s new book, “Cultish,” the jargon and technical language of fanaticism is surprisingly common.

Her new novel, “Peaces,” asks how much room we are willing to make for other people.

Rampant capitalism and a search for identity collide in “My Year Abroad.”

A new book sorts through the controversies surrounding Alice Walker’s seminal novel.

The director’s “Small Axe” anthology intimately portrays Black spaces.

An elaborate secret life was a necessity for children’s author Louise Fitzhugh.

What we really want from the Princess of Wales in the new season of “The Crown”

In “Transcendent Kingdom,” a young Black woman refuses to be defined by other people’s narratives.