"Once Upon a Time ... In Hollywood" finds the filmmaker at his most self-aware.

Ari Aster's folk-horror flick is frightening, beautiful, and just a little unhinged.

Why the HBO show’s visions of chaos and order endure

Olivia Wilde’s directorial debut is a success—if you take it on its own terms.

On "High Life" and other damned worlds

While “Captain Marvel” and “Avengers: Endgame” reign in theaters, a 2005 teen rom com shows a better way.

"Meeting Gorbachev" captures the promise of 1989 and mourns what came next.

“Non-Fiction,” his new film, is about getting by in a disrupted world.

Stephen King’s story focuses on our culture’s obsessive denial of grief.

The legendary filmmaker did it her way, her life as much an inspiration as her work.

Instead of examining Elizabeth Holmes’s personality, look at the people and systems that aided the company’s rise.

His sophomore effort, featuring a rampaging gang of doppelgängers, radically expands the themes of his film debut "Get Out."

Mark Cousins’s documentary captures the ambition of the young director, who learned, among the skyscrapers of Chicago, to look up.

The debate between Steven Spielberg and Netflix misses the real problem facing filmmaking in America.

What the Oscar-tipped actor's recent roles say about women on the big screen.

The new art-world satire 'Velvet Buzzsaw' is schlocky, fun, and flashy. But is its critique fair?

The festival's marketing agency also co-produced the film, resulting in a misleading version of who bears responsibility for the fraud.

Iranian director Asghar Farhadi's films are driven by subtle social dynamics. Can he preserve them in a new thriller?

A spoiler-free apologia for this season's worst-reviewed movie.

A new memoir by the legendary kung fu star reveals what it took to become one of Hong Kong’s greatest sons.