“Rumours” imagines a version of the G7 where world leaders descend into absurdity.

Jason Reitman’s movie is an ode to Lorne Michaels, afraid to take even small risks.

The latest installment lacks the imaginative strangeness of the earlier films.

“Trap” is an escape-from-the-room thriller as well as a touching exploration of a father-daughter bond.

The space rom-com with Scarlett Johansson and Channing Tatum doesn’t know what it wants to be.

Nostalgia is Kevin Costner’s specialty, from hits like “Field of Dreams” to revanchist epics like “Horizon.”

Catherine Breillat’s provocative new film is like a watercolor dabbed with cyanide.

Annie Baker’s first film gives her characters plentiful epiphanies and an unwillingness to change.

The neo-noir starring Glen Powell is a departure for Richard Linklater.

Editor Michael Tomasky speaks with filmmaker Stephen Ujlaki and the Reverend William Barber II about “Bad Faith,” Ujlaki’s important new documentary on the right.

In Ryusuke Hamaguchi’s new movie, an isolated community faces an existential threat and the fragility of its own defense mechanisms.

A new documentary explores Robert Putnam’s life and work.

Luca Guadagnino’s film starring Zendaya specializes in violent and gorgeous emotional devastation.

Alex Garland’s film is a fascinatingly empty meditation on journalism and our political divides.

The night saw a jarring dissonance between political statement and glitzy showmanship.

Denis Villeneuve’s sequel captures the bleakness and the tragedy at the heart of Frank Herbert’s novel

Tran Anh Hung’s gourmet-themed drama celebrates the superficial and the sublime.

The filming of Edward Albee’s play with Elizabeth Taylor and Richard Burton was a feat of creative struggle.

Jonathan Glazer deliberately avoids the most familiar horrors of the Holocaust to show a further layer of inhumanity.

Here is The New Republic’s guide to the contenders for the 96th Academy Awards in 2024