In Amazon’s take on The Lord of the Rings, the hero is a fanatic, ceaselessly seeking out potential threats.

The internet demands that women project desirability—at a level formerly reserved for movie stars.

In his new thriller, race, ambition, and legacy intersect to force a family to lean into danger.

A new Jane Austen adaptation dares to ask: What if “Persuasion” took place not just in the early nineteenth century but at wine o’clock?

A conversation with Dana Stevens, the author of “Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century”

Starring Vincent Gallo and Rainey Qualley, “Shut In” is a new front in The Daily Wire’s war against liberal culture.

The “Succession” actor’s autobiography is pleasingly horrible.

How silent cinema’s slapstick genius choreographed the age of viral video

A conversation with Adam Nayman about the filmmaker’s style and obsessions

Denzel Washington and Frances McDormand star as grown-up versions of the Macbeths, with dangerous ambitions and onerous responsibilities.

Two new movies address the impossible, ordinary, maddening task of keeping both yourself and a child alive.

Paolo Sorrentino’s “The Hand of God” is a coming-of-age movie set during a legendary chapter in soccer history.

Paul Thomas Anderson’s latest movie makes the 1970s dreamy but lacks the edge of his earlier films.

In Pablo Larraín’s dreamlike movie, Diana is not the people’s princess but a woman in search of herself.

Mia Hansen-Løve’s beguiling new film about love, cinema, and Ingmar Bergman oscillates gently between fantasy and realism.

Denis Villeneuve’s film makes the complex world of “Dune” comprehensible through stunning visuals.

The films have always presented a more slick, evasive Bond than the often mundane spy in Ian Fleming’s novels.

In the new film prequel to “The Sopranos,” fatally flawed fathers and deluded sons buckle under an enormous pressure to be men.

Playing Tadzio in Luchino Visconti’s film made Björn Andrésen a star at 15 years old. He spent the next 50 years struggling with the fallout.

In Clint Eastwood’s new film, an aging rodeo star lets go of his tough guy role.