How the show’s new season skewers the book world

In each episode of Netflix's "I Am A Killer," a man on death row describes his crime. But for what purpose?

The show makes writing for a living look easy, as a faithful mentor guides its heroines through a glamorous world.

Hulu’s new series combines the worlds of Stephen King in one deadly, nostalgia-steeped nightmare.

British comedian Sacha Baron Cohen finds humor, outrage, and offense in the United States under Trump.

Netflix's first Indian original series is a sprawling caper that bleeds into the mystical.

By following in the footsteps of Netflix, it could undermine what made the network great.

In her Netflix special, Hannah Gadsby quits the self-deprecating joke.

The show’s second season highlights inequalities among the wrestlers.

How ‘The Tempest’ illuminates the second season of the labyrinthine HBO show.

A new book gives the spotlight to the filmmaker’s often overlooked collaborators.

On AMC, ‘Dietland’ serves up a revenge fantasy for the era of MeToo.

With new episodes on Netflix, the show has followed the drawn-out workings of justice over several years.

Jennifer Fox’s film, starring Laura Dern, shows a woman’s struggle to make sense of what she suffered as a child.

Why Elizabeth Jennings won’t betray her ideals in the series finale.

In the 1990s, HBO disrupted entertainment by proclaiming, "It's not TV, it's HBO." In 2018, Netflix is taking the opposite approach.

Can a new adaptation of Picnic at Hanging Rock capture its mystery?

The miniseries starring Benedict Cumberbatch struggles to show the complexities of trauma and recovery on screen.