Back for a fifth season, “Yellowstone” glorifies a rural rancher’s war against outsiders and developers.

In Amazon’s take on The Lord of the Rings, the hero is a fanatic, ceaselessly seeking out potential threats.

Over six episodes, “The Rehearsal” becomes a show not about helping people but about its creator’s anxieties and compulsions.

A new Jane Austen adaptation dares to ask: What if “Persuasion” took place not just in the early nineteenth century but at wine o’clock?

The main purpose of the new Disney+ show is to act as a bridge between one Star Wars series and the next. For the streaming service, that’s all it needs to be.

What the team behind the brilliant Showtime docuseries learned about relationships from their film about Anthony Weiner.

As the streaming wars intensify, the tech giant increasingly resembles the hidebound movie studios it once aimed to “disrupt.”

The show’s new season with Natasha Lyonne at the helm is more honest, more experimental, and more reflective of its maker.

The hit TV show, in which Volodymyr Zelenskiy played a fictional president, is now streaming on Netflix.

Netflix, Amazon Prime, Hulu, HBO Max.… With so much content, why does it feel like there’s nothing to watch?

As Logan and Kendall go to war, it’s impossible to tell good intentions from cynicism and hypocrisy.

The HBO series written by Jesse Armstrong isn’t often described as a crime show. That’s because its main characters are billionaires.

TNR editor Michael Tomasky talks with the acclaimed filmmaker about his new project, airing Sunday on PBS.

The Apple TV series’ debut season provided simple comfort during dark times in 2020. But the honeymoon is over for the second season.

A Peacock docuseries raises important questions about Jeffrey Epstein’s longtime associate, but the answers remain a maddening mystery.

Where the classic masculine detective is an expert in the art of disguise, his female counterpart is genuinely part of the furniture—especially if she’s of a certain age.

The steady rise of the longtime Fox News host is a reflection not of his comedic abilities, but the increasingly dark mood of conservative media.

“Rutherford Falls” could have been a great show—except for one small problem.

The documentarian returns with an urgent argument about imperial violence—and what it means for America now.

They are credulous, old-fashioned, and totally unprepared to deal with a radicalized Republican Party.