When streamers “dump” whole seasons instead of releasing weekly, they strip away some of TV’s most reliable pleasures.

The neo-noir starring Glen Powell is a departure for Richard Linklater.

The new Netflix show faithfully adapts Liu Cixin’s bestselling novels but lacks imagination.

Todd Haynes took the story of a tabloid scandal and made it something much stranger.

Mike Flanagan’s latest Netflix show is an exhausting mashup. Even worse, it’s not scary.

How a style steeped in American elitism took over the world

The team behind the Netflix show says it “strongly disapproves” of the presidential candidate’s anti-LGBTQ campaign ad.

The Netflix documentary about Arnold Schwarzenegger doesn’t know quite what to do with his disturbing rise in politics.

Recent “sensitivity” edits to the author’s beloved yet unabashedly disagreeable novels are all about maintaining a lucrative intellectual property. But what difference can a few changed words really make?

How a Netflix series about the hunt for the lost city of Atlantis became yet another front in the culture war—and the latest example of elite conservatives going weird.

A new Jane Austen adaptation dares to ask: What if “Persuasion” took place not just in the early nineteenth century but at wine o’clock?

As the streaming wars intensify, the tech giant increasingly resembles the hidebound movie studios it once aimed to “disrupt.”

The show’s new season with Natasha Lyonne at the helm is more honest, more experimental, and more reflective of its maker.

Netflix, Amazon Prime, Hulu, HBO Max.… With so much content, why does it feel like there’s nothing to watch?

The deal between AT&T, Time Warner, and Discovery is just the latest shift toward consolidation as media companies fight hopelessly for market supremacy.

The show set in a French talent agency is the antidote to superficial satires on Hollywood.

It has taken decades for his Century Cycle plays to reach the screen—but not for lack of interest.

The flaws of Darren Star’s new Netflix show may be perfectly calibrated for binge-watching in 2020.

“Fear City” documents the 1970s mob in a familiar and increasingly unconvincing good guy vs. bad guy narrative.

Once upon a time, you could hunt aliens and murderers in the same show.