A new miniseries about the 1993 standoff seems tailor-made for audiences that sympathize with the anti-government fringe.

With the help of former “Sex and the City” writers, Sarah Jessica Parker shines in the show’s second season.

Comedy Central’s new show fails to grasp the dynamics of today’s workplace.

Season four of "Black Mirror" examines life as a kind of imprisonment.

Why you should be rewatching the show in the wake of #MeToo

Errol Morris searches for a link between a mourning son, the CIA, and LSD.

The show's second season sees the young Queen weigh her public and private roles.

The idea that a few brilliant men ushered in the era of prestige TV is both inaccurate and damaging.

Now in its sixth season, the series has become a fascinating document of the creative mind at work.

"At Home With Amy Sedaris" brings unexpected tenderness to the trope of the perky lifestyle guru.

Why Margaret Atwood’s “Alias Grace” makes subversive television.

The end of "House of Cards" raises a troubling question: Do we have higher standards for TV politicians than for real ones?

Like "Bojack Horseman," the show looks directly at sadness in the brightest city in the country.

The new Netflix show about serial killers is as much about the men in law enforcement as the men who murder.

Pamela Adlon’s "Better Things" has reinvented the family sitcom.

The show was never about social justice. But that begs the question: What exactly was it about?

The new Netflix anime series walks a fine line between parody and homage, while hinting at the great show it could become.

Burns and co-director Lynn Novick take a "many sides" approach to history at a time when "many sides" is a tool of obfuscation.