A documentary about the financial crisis, a Philip Roth adaptation, and a Jackie Kennedy biopic round out our most anticipated films.

Grierson & Leitch dismantle 2016's terrible summer of sequels, blockbusters, and would-be tentpoles.

Werner Herzog's new documentary on the internet signals that it may be time for the director to get out of the way of his own films.

Based on a true story, this comedy from the director of ‘The Hangover’ isn’t daring enough to be truly outrageous.

This good-hearted tale of a terrible singer sidesteps deeper issues of our fascination with bad art.

This Disney remake is better than it ought to be—but should it even have been made in the first place?

In the latest film from Ira Sachs, a rent dispute between well-meaning people exposes their inability to be decent to one another.

With too many characters, and little to justify their existence, the DC Universe is an ever-expanding world of senseless, plotless mayhem.

Paul Greengrass and Matt Damon had a dynamic, mysterious hero in Jason Bourne, but returning to him after ten years proves a tiresome exercise.

Mike Birbiglia directs this comedy about members of an improv troupe on the verge of making it big.

While trifling, a bit meandering, and certainly a little repetitive, Woody Allen’s 46th film manages not to be a complete clunker.

The Pixar formula may be a simple one, but Illumination Entertainment can’t seem to capture the same magic.

The latest film starring Edgar Rice Burroughs’s mythic character is a somber, misguided, effects-heavy abomination.

To make sure they aren’t forgotten by year’s end, we present our favorite movies of the first half of 2016.

Roland Emmerich doesn’t follow up his 1996 sci-fi smash so much as copy it—but the blockbuster formula no longer holds.

The audacious comedy gets surreal about male insecurities—but they’re still the same old sensitive-bro problems.