Our two critics go head-to-head with their favorite movies of 2016.

The best (and the rest) coming to theaters in the last weeks of the year.

This hard-to-find 1982 documentary about America’s addiction to guns and violence gets new life 35 years after its initial release.

The newest Star Wars film feels like a return to the overly serious prequels, rather than the joyful nostalgia of the sequels.

With the end of the year in sight, it’s time to catch up on the movies that will be nominated for Academy Awards.

This soaring musical captures the romantic glow of old-school Hollywood while keeping its feet firmly planted in reality.

Natalie Portman and director Pablo Larraín have transformed seven days in the life of Jacqueline Kennedy into a raw portrait of grief.

In this remarkable drama, Isabelle Huppert plays a woman who has to remake herself after she loses everything she’s known.

The glorious world-building in the first Harry Potter spin-off isn't enough to keep viewers coming back.

For Kenneth Longeran’s characters, grief is a course that doesn’t run smooth.

Tom Ford’s new film is both stylish and convoluted, but it is never dull.

Amy Adams shines in an intelligent film that is as much about aliens as it is about being heard.

Ang Lee’s sped-up, motion-smoothed war film is hallucinatory, immediate, and raw