Ang Lee’s sped-up, motion-smoothed war film is hallucinatory, immediate, and raw

Jeff Nichols’s new film has no patience for sweeping sentimentality or feel-good liberalism.

Cumberbatch lends pride, dignity, and a wry sense of humor to an inventive addition to the Marvel Universe.

His first directorial effort in ten years lionizes a pacifist who became a World War II hero, but it never gets to know him.

The movie shows how one couple overturned a racist law—without the usual grand speeches.

'Fire at Sea' documents what happens when refugees are completely removed from the fabric of daily life.

The actor may be a beloved Hollywood legend, but the films based on Dan Brown’s novels should be left out of his pantheon.

Seemingly done with chasing serious roles, Cruise would rather have his fans remember him as a running, jumping, punching machine.

Barry Jenkins's beautiful, sympathetic film is one of the best of the year.

The director has made a career populating her films with characters that choose the difficult path in life.

Ben Affleck stars in what should be a straight-ahead thriller, but the film keeps tripping over its own incompetent feet.

This indie drama about the life and death of newscaster Christine Chubbuck succeeds because of the answers it doesn’t provide.

This adaptation of the bestselling book is hazy in a way that’s more confusing than intriguing.

The Sundance sensation may not be great art, but its snarling urgency makes it a movie for our times.