Calum Marsh

The essays in “The Rub of Time” defend careful thought and use of language.

The Times's film critic writes as though a review can still make or break a work of art. It can't.

His novel—published the day of the Charlie Hebdo attack—is finally available in English.

A novelist of the counterculture finally has his moment

The author talks about the novel, writing for the screen, and the new film adaptation of London Fields

First the 'autobiographical novel,' now 'autobiographical criticism.'