“The Fraud” is a courtroom drama about an impostor, set against the backdrop of British imperialism. But the most suspect characters of all are the writers.

A conversation with Zadie Smith about her new play, “The Wife of Willesden,” adapting Chaucer, her early influences, and making art in a pandemic

Lots of writers have done the coronavirus essay. Smith has made a book of them.

The writer's short story in 'The New Yorker' is a puzzling allegory about social media and the #MeToo movement.

The varieties of individuality in “Feel Free”

Social climbing and self-discovery are entwined in Zadie Smith’s new novel.

Should writing be an art or a career?

On the formation of a new genre: hysterical realism.