Esther Breger

@estherbreger

Interview: Orange Is The New Black's Poussey on Playing the Season's Tragic Heroine

How Not to Write A TV Drama About Arab Dictators

‘Orphan Black’ Embodies the Female Gaze Better than Anything Else on Television

This Summer's Abortion Comedy May Save the Rom-Com

'Orange is the New Black' Is Even Better in Season 2

The Boring Sexism of HBO's 'Silicon Valley'

Dissecting Mad Men's Hopeful, Saccharine Half-Season

'Louie' Has Always Been Afraid of Continuity. Until Now?

Five Great TV Pilots That Became Terrible Shows

'Louie's Tiresome Portrayal of Women

'Louie' Is Back, as Strange and Dreamlike as Ever

Some Advice for John Oliver: Stop Imitating 'The Daily Show'

TV Needs to Stop Treating Mental Illness as a Superpower

Unpacking the 'Mad Men' Premiere: Can Don Draper Ever Change?

No Excuses, CBS: Hire One of These Outstanding Women to Replace Letterman

'How I Met Your Mother''s Finale Was Infuriating

'The Good Wife" Can Compete with Cable Drama, But it Shouldn't

Anthony Lane's Scarlett Johansson Profile Turns The New Yorker into a Men's Magazine

The 'Veronica Mars' Movie Gives Fans What They Want—And That's a Good Thing

"I Think Jeffrey Tambor's Got a Kind of Gender-Queerness"