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The New Republic
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BREAKING NEWS
POLITICS
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The New Republic
The New Republic
The New Republic
BBC
October 26, 2018
Jo Livingstone
The BBC’s Best Drama in Years Comes to Netflix
'Bodyguard' is an emotional rollercoaster of trauma and terror.
April 3, 2018
Jo Livingstone
Systems Overload
"Collateral," a new police procedural on Netflix, broods over the refugee crisis.
December 19, 2014
John Simpson
British Conservatives Have Been at War With the BBC for Decades—and This Time They Might Win
August 29, 2014
Elaine Teng
Can "Doctor Who" Survive an Older Leading Man?
The new, older doctor who tests the mainstream popularity nerd culture
November 27, 2013
Andrew Harrison
Is Doctor Who a Lefty?
November 8, 2013
Jerry A. Coyne
Pseudoscientist Rupert Sheldrake Is Not Being Persecuted, And Is Not Like Galileo
January 27, 2013
David Thomson
'Parade’s End': Ford Madox Ford’s Masterpiece Comes to the Screen
'Downton Abbey' for grown-ups
November 1, 2012
Geoffrey Wheatcroft
Should The New York Times' New President Pay a Price for the BBC Sex-Abuse Scandal?
October 16, 2012
Daniel D'Addario
Alterna-Booker—Different Prize, Same Antics
May 27, 2012
Simon van Zuylen-Wood
The Great Escape: Has One NGO Been Lying About Its Role in Syria?
February 22, 2012
Evgeny Morozov
Form and Fortune
January 30, 2012
Tim Stanley
America’s Newest Export: Our Insanely Long, Expensive Political Campaigns
January 11, 2012
Emma Larkin
The Awakening
November 30, 2011
Eric Reeves
How War Reignited In Sudan While No One Was Looking
September 6, 2011
David Thomson
David Thomson on Films: ‘The Hour’ Is the Most Complex and Absorbing Story Currently Playing on Any Screen
August 12, 2011
Matthew Zeitlin
The Insane Conservative Attempt to Link the London Rioters to Obama
August 11, 2011
Victoria Beale
Who Are the London Rioters—And Why Can’t the Media Find Out?
August 8, 2011
Isaac Chotiner
Diamonds: Still Bloody
July 20, 2011
Victoria Beale
London Dispatch: How the Murdoch Scandal is Changing Britain
June 14, 2011
David Thomson
David Thomson on Films: ‘The Trip’—A New Film from an Underrated Director
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